sticky
admin
posted Oct 24 '18 at 4:33 pm
Hello everybody!
Things are evolving each day at Audio Modeling, so we are not still able to provide dates "written in the stone".
This is currently our - very rough - roadmap for the next year:
November 3rd, 2018 - Soundmit (Turin): demo of Camelot candidate release
December 12th, 2018: first release of Camelot
January 2019 - NAMM Show (Los Angeles): demo of SWAM Brass prototype and S
sticky
admin
posted Oct 2 '18 at 6:00 pm
You ask, we listen.
We are glad to offer upgrade paths for SWAM products owners. You can save money to buy the entire bundle upgrading from one (or more) SWAM instrument previously purchased.
Please check here the offer for you. Depending on the product that you have previously purchased you can see the bundle upgrade price for you!
Note: upgrade requests must be issued through our S
sticky
admin
posted Sep 10 '18 at 3:08 pm
The Audio Modeling Community is provided to you as a central place to discuss all creative and technical aspects of Audio Modeling products, as well as all aspects of music performance and production in general.
Audio Modeling is glad to offer a community area where opinions can be exchanged freely as long as the discussion remains reasonable. To maintain these forums as a pleasant place for
Hi, today I want to share with you my wishlist for v3.
Import custom samples (Saxophone samples of course), I always thought it would be great to have that option, because now the program can only use your “Small footprint” as a source material
A keyboard only mode (something similar to Yamaha’s Super articulation sounds)
Ensemble mode (to quickly create Sax ensem
admin
posted Sep 10 '18 at 3:11 pm
Audio Modeling team is proud to announce the launch of the Community Area.
This is a place for sharing our music experiences, talk about audio Modeling products, improve our knowledge for building together day by day better musical instruments.
We want to listen to our customers, see and hear what people can do with our instruments and have a trip with passionate people to leave our cont
aska3
posted Oct 6 at 4:26 am
This is my original cimematic piece.
SWAM Violin model:Cremona S1/Venezia S2
Bow Gesture:Expression
background strings:Cinematic Studio Strings
piano:Upright Felt Piano
https://www.youtube.com/watch?v=_Ogr5R8O6gM
I can't make real sound of low string (G and D). What should I do about it?
Feedback is welcome!
Mizuki
98bpm
posted Sep 29 at 6:40 am
If any of the development team reads this, I'd like to request a few features to consider for future updates to the SWAM Saxophones.
Add Modal Resonance to the MIDI CC Mapping Options page.
While I can assign an automation lane for this in Cubase, it would be convenient to add it to the SWAM Engine.
Some saxophone recordings have a close-mic'd kind of sound where the breath noise soun
BenH
posted Oct 25 at 3:51 pm
Hi,
I would love to see this added to the Flutes collection. Are there any plans to do so?
It would be great for doing things like this:
https://www.youtube.com/watch?v=Nu40Elms0z0
@admin ?
Regards, Ben
EVI
posted Oct 5 at 6:37 pm
Do you have an estimated date for the brass release and will they be released individually or all together?
Hi guys. I've owned the SWAM w/winds for years but only recently have I been using the flutes quite intensively. I'm finding that there seems to be a higher breath threshold for starting/ending notes on the SWAM flutes compared to the SWAM strings. This might also be the case for the other SWAM w/winds but I haven't spent as much time with them recently.
For example: I can easily start o
Carl J
posted Oct 7 at 7:51 pm
Any views on https://www.samplemodeling.com/en/tutorials_strings.php?
Just listening to the demos and wonder if anyone has made a comparison yet?
I'm tempted to get this to make even bigger orchestras as they share with SWAM what I feel is the biggest benefit over "normal" libraries like LASS; Realtime input and the Modelling approach instead of static and massively disk intensive librari
Carl J
posted May 28 at 6:23 pm
Has anyone tried Gig Performer? I wonder how it would compare with Camelot Pro.
https://gigperformer.com/gig-performer-vs-mainstage-vs-cantabile.html
aska3
posted Jul 28 at 12:25 pm
This is my original piece.
I used different violin models experimentally according to the range and each string of the violin.
I think that the realism of each violin model differs depending on the range.
https://www.youtube.com/watch?v=9pFkbbIQHF0
BowGesture:Expression
piano:Garritan Abbey Road CFX Lite
Feedback is welcome!
aska3
posted Aug 14 at 2:51 am
It is a joke
https://www.youtube.com/watch?v=rYeRYDvIU0o
violin model:Firenze S2
Bow Gesture:Bipolar
Please enjoy it.
aska3
posted Aug 10 at 6:59 am
Prelude from FINAL FANTASY
https://www.youtube.com/watch?v=U5UR9WnUOEA
violin model:Firenze S2
Bow Gesture:Bipolar
It is the practice of Bipolar mode.
Bipolar mode is also useful for CC handwriting users (like me). It is not necessary to write CC64 like Expression mode because down-bow and up-bow can be clearly distinguished, and it is easier to edit than Bowing mode. It is a
I continue to explore using the SWAM saxophones as instruments for real-time improvisational playing. There are no edits to the MIDI data in the example here. Playing "Misty", a ballad, is a good workout for the TEControl breath controller.
https://www.youtube.com/watch?v=yXOoYS9sYnE
Has anyone else had issues with reliability of playing harmonics in SWAM-S?
The way the harmonic "speaks" at low dynamics levels is unpredictable. Sometimes the note sounds immediately, but sometimes it takes a up to a second or two before the note "speaks". Both results occur with exactly the same MIDI. Non-harmonic notes don't have this problem; they always speak reliably.
By "low" dy
Elrond
posted Jul 17 at 2:39 pm
Attack
If I have expression on low level from 0 - 10 theere is some attack, even on Dynamic envelope on GUI screen show there is some attack, but if expression is more higher, then less attack is. That means if expression is above 40, there is no attack. Of course, there is some attack but it not act like on lower level expression.
To be more clear what I am talking about, for example SWAM
Camelot looks to become a very powerful and musician-minded performance environment, and I'm really excited to see it grow. But as AM likes to point out, it's still in its infancy as new features are being added. One of the big caveats is the lack support for AU/VST effects.
However, there is a pretty good solution that will run you between $50-$100 depending on your needs. There are a number
aska3
posted Jul 6 at 11:46 am
https://www.youtube.com/watch?v=jZBqxFsG6U8
violin model:Firenze S2
BowGesture:Bipolar
piano:Garritan Abbey Road CFX Lite
My favorite piece.
It is very difficult to play in cantabile.
Feedback is welcome!
Mizuki
PS
PitchBend is ignored in Piano Roll(MIDI) on Cakewalk by BandLab.
The PB's input from MIDI keyboard is normal, ignored only Piano Roll data.What is
Hi,
When using a breath controller I'd like to have the bow direction switch between breaths. So when the controller value drops to zero we'd get a bow change. I realize there is a keyswitch for bow direction change but would like the option to use "through zero" as an articulation trigger.
Thanks,
Chris
Hi, i am new to this entire world, and looking for the simplest, most straightforward way to connect my Aerophone GO to the SWAM sax sounds for practice, not performance!
I am not a pro, but want my Aerophone GO to sound as best as possible. I don't care about recording, adding other instruments, etc.
So if i buy the SWAM saxes, what is the cleanest, easiest way to play them on the Aer
jhy
posted Jun 30 at 7:54 pm
Hello all. Appreciate this excellent software. I have been working on some projects involving historical music using acoustic instruments mixed with my wind controller.
Here’s one for acoustic recorders and SWAM Clarinets:
https://youtu.be/8rQcNvPWGm8
Here’s some Bach arranged for recorders with baroque tuning accompanied by a WX 5 and audio modeling strings:
https:/
Hi, everyone!
This is a work by Gaspar Cassadó, a Catalan cellist and composer of the early 20th century.
I've played it on the SWAM cello.
It's very difficult to play on the real cello, but I think very suitable to play inhumanly and mechanically with SWAM, because it is a dance music for a non-human creature, the Green Devil.
The fastest tempo is about 190 bpm during the ac
I got a first version of the software converting part of the Seaboard to a Ribbon controller working !
You can choose a range of keys and while all other touches on the Seaboard are processed normally (this plugin reduces the channel count of the MPE stream to a single channel, anyway, and calculates appropriate channel control values from the multiple control values than come in via MPE, or
Carl J
posted Jun 5 at 9:23 pm
The dream of leaving the expensive and fragile computer in the studio and having a hardware unit running my favourite plugins at a reasonable price is getting closer.
This is a Linux based SOC based technology
Ultra-low latency (below 1ms round-trip)
I'm wondering how CPU intensive plugins would perform here but having used Linux in servers for a couple of decades as a sysadmin I know th
Style
posted Apr 23 at 5:39 pm
I use to use pro tools, but found it was heavier than I needed. I've been using Reaper, and am mostly happy with it. I like how easy it is to use, yet still has almost all the functionality I would want in a daw.
And I like how it is relatively light when it comes to CPU usage.
How does Camelot compare to Reaper?
I must admit the ability to create set lists in my daw is appealing.
Hi, I know that this parameter is for changing the instrument timbre, but I really don’t understand exactly for what kind of situation I have to use it. I see that there is a lot of “presets” to choose from. Please help me.
Hi everyone,
I've been having a tough time trying to figure out which controller to get.
I already have a seaboard block which I enjoy a lot and works well for the most part, but I do find that it is difficult to extract the tonal control like bow pressure and position while performing the part into the DAW.
I though I'd get the community vote on what the best choices are and what the
I upgraded the "Flutes" from 2.8.2 to 2.8.3 64 Bit PC.
In my "Live" project, I use "Concert", "Alto", and "Bass" in three different tracks of the DAW (Reaper). I mute and ummute these tracks for switching between these (and other) sound engines.
I play the instruments using a keyboard and a TEC BBC V2. The parameter setting of the three instances are rather similar and the Midi processin
