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admin posted Oct 24 '18 at 4:33 pm
Hello everybody!

Things are evolving each day at Audio Modeling, so we are not able to provide dates "written in the stone".
This is currently our - very rough - roadmap:

Oct 2019 - Dec 2019: Camelot PROMO with Yamaha Synths https://yamaha.io/camelot
Nov 2019 - Jan 2010: Camelot PROMO with Studiologic https://www.studiologic-music.com/news/2019-11-01_camelot-bundle/
Christmas 2019: sur
recent by Sclurbs  ·  5 days ago at 12:17 am
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You ask, we listen.

We are glad to offer upgrade paths for SWAM products owners. You can save money to buy the entire bundle upgrading from one (or more) SWAM instrument previously purchased.
Please check here the offer for you. Depending on the product that you have previously purchased you can see the bundle upgrade price for you!

Note: upgrade requests must be issued through our S
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admin posted Sep 10 '18 at 3:08 pm
The Audio Modeling Community is provided to you as a central place to discuss all creative and technical aspects of Audio Modeling products, as well as all aspects of music performance and production in general.

Audio Modeling is glad to offer a community area where opinions can be exchanged freely as long as the discussion remains reasonable. To maintain these forums as a pleasant place for
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rbvgenos posted Nov 18 at 3:57 pm
Hi, today I want to share with you my wishlist for v3.

Import custom samples (Saxophone samples of course), I always thought it would be great to have that option, because now the program can only use your “Small footprint” as a source material


A keyboard only mode (something similar to Yamaha’s Super articulation sounds)


Ensemble mode (to quickly create Sax ensem
recent by rbvgenos  ·  4 days ago at 8:39 pm
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HI, this clarinet has sweet and warm sound, unfortunately never Built up by any company. I attached two songs for example. I know making this sound is difficult but also i know you can do it. I hope someday see this instrument on your site.
Thanks❤

sol clarinet.mp3

G Sol clarinet albert system.mp3

recent by Armin  ·  4 days ago at 7:57 pm
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Wilhelm posted Nov 28 at 10:35 pm
Hi Cameloters,

it would be nice, if one could assign fix program numbers to songs. I use Bandhelper as Remote for camelot, cause it adds many helpful features for band purposes.
Via Midi I select a song in the Camelot setlist. The song
calls my layers of Keyboards I need.
Only problem occurs If I remove a song or change the order of the Camelot Setlist. It would be much more comfort
recent by Wilhelm  ·  5 days ago at 6:17 am
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Hi guys. I recently tried the SWAM sax at a friend's house and I brought my BBC2 to try it. It was a great experience, but if I wasn't blowing on the breath controller and pressed a key, sound would come out of it. I have the trumpet from Sample Modeling and it doesn't have the same issue. Sound only comes out when you blow, even if you're pressing the keys.

I really want this sax to be able
recent by mschnell  ·  5 days ago at 5:36 am
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Audio Modeling team is proud to announce the launch of the Community Area.
This is a place for sharing our music experiences, talk about audio Modeling products, improve our knowledge for building together day by day better musical instruments.

We want to listen to our customers, see and hear what people can do with our instruments and have a trip with passionate people to leave our cont
recent by mschnell  ·  Nov 8 at 5:58 am
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98bpm posted Sep 29 at 6:40 am
If any of the development team reads this, I'd like to request a few features to consider for future updates to the SWAM Saxophones.

Add Modal Resonance to the MIDI CC Mapping Options page.
While I can assign an automation lane for this in Cubase, it would be convenient to add it to the SWAM Engine.


Some saxophone recordings have a close-mic'd kind of sound where the breath noise soun
recent by 98bpm  ·  Oct 28 at 7:13 pm
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Hi guys. I've owned the SWAM w/winds for years but only recently have I been using the flutes quite intensively. I'm finding that there seems to be a higher breath threshold for starting/ending notes on the SWAM flutes compared to the SWAM strings. This might also be the case for the other SWAM w/winds but I haven't spent as much time with them recently.

For example: I can easily start o
recent by mschnell  ·  Oct 25 at 5:29 am
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Carl J posted Oct 7 at 7:51 pm
Any views on https://www.samplemodeling.com/en/tutorials_strings.php?

Just listening to the demos and wonder if anyone has made a comparison yet?

I'm tempted to get this to make even bigger orchestras as they share with SWAM what I feel is the biggest benefit over "normal" libraries like LASS; Realtime input and the Modelling approach instead of static and massively disk intensive librari
recent by mschnell  ·  Oct 8 at 8:05 pm
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aska3 posted Aug 10 at 6:59 am
Prelude from FINAL FANTASY
https://www.youtube.com/watch?v=U5UR9WnUOEA


violin model:Firenze S2
Bow Gesture:Bipolar

It is the practice of Bipolar mode.
Bipolar mode is also useful for CC handwriting users (like me). It is not necessary to write CC64 like Expression mode because down-bow and up-bow can be clearly distinguished, and it is easier to edit than Bowing mode. It is a
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I continue to explore using the SWAM saxophones as instruments for real-time improvisational playing. There are no edits to the MIDI data in the example here. Playing "Misty", a ballad, is a good workout for the TEControl breath controller.

https://www.youtube.com/watch?v=yXOoYS9sYnE


recent by mschnell  ·  Aug 7 at 8:20 pm
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Has anyone else had issues with reliability of playing harmonics in SWAM-S?

The way the harmonic "speaks" at low dynamics levels is unpredictable. Sometimes the note sounds immediately, but sometimes it takes a up to a second or two before the note "speaks". Both results occur with exactly the same MIDI. Non-harmonic notes don't have this problem; they always speak reliably.

By "low" dy
recent by Paranza  ·  Jul 23 at 3:22 pm
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Attack
If I have expression on low level from 0 - 10 theere is some attack, even on Dynamic envelope on GUI screen show there is some attack, but if expression is more higher, then less attack is. That means if expression is above 40, there is no attack. Of course, there is some attack but it not act like on lower level expression.

To be more clear what I am talking about, for example SWAM
recent by Elrond  ·  Jul 18 at 8:47 am
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Camelot looks to become a very powerful and musician-minded performance environment, and I'm really excited to see it grow. But as AM likes to point out, it's still in its infancy as new features are being added. One of the big caveats is the lack support for AU/VST effects.

However, there is a pretty good solution that will run you between $50-$100 depending on your needs. There are a number
recent by effebal  ·  Jul 13 at 9:03 am
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https://www.youtube.com/watch?v=jZBqxFsG6U8


violin model:Firenze S2
BowGesture:Bipolar
piano:Garritan Abbey Road CFX Lite

My favorite piece.
It is very difficult to play in cantabile.
Feedback is welcome!

Mizuki

PS
PitchBend is ignored in Piano Roll(MIDI) on Cakewalk by BandLab.
The PB's input from MIDI keyboard is normal, ignored only Piano Roll data.What is
recent by aska3  ·  Jul 11 at 3:17 am
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Hi, i am new to this entire world, and looking for the simplest, most straightforward way to connect my Aerophone GO to the SWAM sax sounds for practice, not performance!

I am not a pro, but want my Aerophone GO to sound as best as possible. I don't care about recording, adding other instruments, etc.

So if i buy the SWAM saxes, what is the cleanest, easiest way to play them on the Aer
recent by gdh  ·  Jul 2 at 2:32 pm
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Hello all. Appreciate this excellent software. I have been working on some projects involving historical music using acoustic instruments mixed with my wind controller.

Here’s one for acoustic recorders and SWAM Clarinets:

https://youtu.be/8rQcNvPWGm8

Here’s some Bach arranged for recorders with baroque tuning accompanied by a WX 5 and audio modeling strings:

https:/
recent by Paranza  ·  Jul 2 at 8:26 am
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techori posted Jun 18 at 5:03 am
Hi, everyone!
This is a work by Gaspar Cassadó, a Catalan cellist and composer of the early 20th century.
I've played it on the SWAM cello.
It's very difficult to play on the real cello, but I think very suitable to play inhumanly and mechanically with SWAM, because it is a dance music for a non-human creature, the Green Devil.
The fastest tempo is about 190 bpm during the ac
recent by admin  ·  Jun 24 at 1:52 pm
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I got a first version of the software converting part of the Seaboard to a Ribbon controller working !

You can choose a range of keys and while all other touches on the Seaboard are processed normally (this plugin reduces the channel count of the MPE stream to a single channel, anyway, and calculates appropriate channel control values from the multiple control values than come in via MPE, or
recent by YarKirGen  ·  Jun 15 at 11:59 am
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