Things are evolving each day at Audio Modeling, so we are not able to provide dates "written in the stone". This is currently our - very rough - roadmap:
Oct 2019 - Dec 2019: Camelot PROMO with Yamaha Synths https://yamaha.io/camelot
Nov 2019 - Jan 2010: Camelot PROMO with Studiologic https://www.studiologic-music.com/news/2019-11-01_camelot-bundle/
Christmas 2019: sur
We are glad to offer upgrade paths for SWAM products owners. You can save money to buy the entire bundle upgrading from one (or more) SWAM instrument previously purchased. Please check here the offer for you. Depending on the product that you have previously purchased you can see the bundle upgrade price for you!
Note: upgrade requests must be issued through our S
The Audio Modeling Community is provided to you as a central place to discuss all creative and technical aspects of Audio Modeling products, as well as all aspects of music performance and production in general.
Audio Modeling is glad to offer a community area where opinions can be exchanged freely as long as the discussion remains reasonable. To maintain these forums as a pleasant place for
HI, this clarinet has sweet and warm sound, unfortunately never Built up by any company. I attached two songs for example. I know making this sound is difficult but also i know you can do it. I hope someday see this instrument on your site. Thanks❤
it would be nice, if one could assign fix program numbers to songs. I use Bandhelper as Remote for camelot, cause it adds many helpful features for band purposes. Via Midi I select a song in the Camelot setlist. The song calls my layers of Keyboards I need. Only problem occurs If I remove a song or change the order of the Camelot Setlist. It would be much more comfort
Hi guys. I recently tried the SWAM sax at a friend's house and I brought my BBC2 to try it. It was a great experience, but if I wasn't blowing on the breath controller and pressed a key, sound would come out of it. I have the trumpet from Sample Modeling and it doesn't have the same issue. Sound only comes out when you blow, even if you're pressing the keys.
Audio Modeling team is proud to announce the launch of the Community Area. This is a place for sharing our music experiences, talk about audio Modeling products, improve our knowledge for building together day by day better musical instruments.
We want to listen to our customers, see and hear what people can do with our instruments and have a trip with passionate people to leave our cont
Hi guys. I've owned the SWAM w/winds for years but only recently have I been using the flutes quite intensively. I'm finding that there seems to be a higher breath threshold for starting/ending notes on the SWAM flutes compared to the SWAM strings. This might also be the case for the other SWAM w/winds but I haven't spent as much time with them recently.
Any views on https://www.samplemodeling.com/en/tutorials_strings.php?
Just listening to the demos and wonder if anyone has made a comparison yet?
I'm tempted to get this to make even bigger orchestras as they share with SWAM what I feel is the biggest benefit over "normal" libraries like LASS; Realtime input and the Modelling approach instead of static and massively disk intensive librari
This is my original piece. I used different violin models experimentally according to the range and each string of the violin. I think that the realism of each violin model differs depending on the range. https://www.youtube.com/watch?v=9pFkbbIQHF0
BowGesture:Expression piano:Garritan Abbey Road CFX Lite
Prelude from FINAL FANTASY https://www.youtube.com/watch?v=U5UR9WnUOEA
violin model:Firenze S2 Bow Gesture:Bipolar
It is the practice of Bipolar mode. Bipolar mode is also useful for CC handwriting users (like me). It is not necessary to write CC64 like Expression mode because down-bow and up-bow can be clearly distinguished, and it is easier to edit than Bowing mode. It is a
I continue to explore using the SWAM saxophones as instruments for real-time improvisational playing. There are no edits to the MIDI data in the example here. Playing "Misty", a ballad, is a good workout for the TEControl breath controller.
Has anyone else had issues with reliability of playing harmonics in SWAM-S?
The way the harmonic "speaks" at low dynamics levels is unpredictable. Sometimes the note sounds immediately, but sometimes it takes a up to a second or two before the note "speaks". Both results occur with exactly the same MIDI. Non-harmonic notes don't have this problem; they always speak reliably.
Attack If I have expression on low level from 0 - 10 theere is some attack, even on Dynamic envelope on GUI screen show there is some attack, but if expression is more higher, then less attack is. That means if expression is above 40, there is no attack. Of course, there is some attack but it not act like on lower level expression.
To be more clear what I am talking about, for example SWAM
Camelot looks to become a very powerful and musician-minded performance environment, and I'm really excited to see it grow. But as AM likes to point out, it's still in its infancy as new features are being added. One of the big caveats is the lack support for AU/VST effects.
However, there is a pretty good solution that will run you between $50-$100 depending on your needs. There are a number
When using a breath controller I'd like to have the bow direction switch between breaths. So when the controller value drops to zero we'd get a bow change. I realize there is a keyswitch for bow direction change but would like the option to use "through zero" as an articulation trigger.
Hi, everyone! This is a work by Gaspar Cassadó, a Catalan cellist and composer of the early 20th century. I've played it on the SWAM cello. It's very difficult to play on the real cello, but I think very suitable to play inhumanly and mechanically with SWAM, because it is a dance music for a non-human creature, the Green Devil. The fastest tempo is about 190 bpm during the ac
I got a first version of the software converting part of the Seaboard to a Ribbon controller working !
You can choose a range of keys and while all other touches on the Seaboard are processed normally (this plugin reduces the channel count of the MPE stream to a single channel, anyway, and calculates appropriate channel control values from the multiple control values than come in via MPE, or