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https://soundcloud.com/oberheim8000/maurice-ravel-string-quartet-in-f-dur-first-44-bars-performed-with-physical-modeling-strings


You can hear SWAM Strings in action with soft (most of time) and agresive (in end) playing.

I used external reverb, no EQ.
Only first 44 bars. No more time for another bars. Maybe later.

recent by mschnell  ·  May 8 at 9:45 am
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whiteletter posted Apr 29 at 9:27 pm
Is there anyway to reduce the rattling noise fx you get in the Swam Violin, most easy to hear in the upper registers?

I'd like to get a more pure note tone with less fx. I'm not a physical violin players so I'm not sure exactly what it represents, but it is too distractingly loud at times when I want the violin as the lead instrument without accompaniment.

recent by admin  ·  May 1 at 10:20 am
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Blue Bossa on MIDI Guitar (Youtube)

I'm working out the intricacies of using the TEControl breath controller, You Rock MIDI guitar and the SWAM saxophones. Like any instrument it takes time to get musical results—still striving towards that end. Note that the performances are un-edited.

A selection of SWAM saxophones used to play jazz standards:

https://soundcloud.com/chrispman
recent by ChrisManuel  ·  Apr 26 at 8:05 pm
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Wilhelm posted Apr 7 at 12:38 pm
Hi,
Is it possible to adress the Midi Channels of multitimbral VST Instruments like Steinberg Halion 6 from different Keyboards?
I use a Roland A-88 and a Komplete Kontrol 61 MK2 and would
like to select the Midi channels seperately for one instance of Halion.

Greets
Wilhelm

recent by admin  ·  Apr 13 at 8:38 am
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Hi,

Yesterday I bought Camelot.

I think it could become the Holy Grail to the ever ongoing quest for a "total recall" solution for playing hardware synthesizers (even in combination with software instruments) in a song context.

But for now some important points are yet missing for me:

More explicit support of HW synths.
I miss:
Novation Peak
DSI Prophet08 REV2
Waldo
recent by SynthPlayer  ·  Apr 1 at 9:18 pm
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We think this is the biggest news from the NAMM Show... we are proud to reveal that SWAM is running on hardware!

In this video, Stefano Lucato, CEO at Audio Modeling, tries for the first time the prototype of SWAM running on ELK hardware by Mind Music Labs ( https://www.mindmusiclabs.com/ ) at Winter NAMM Show 2019.

https://www.youtube.com/watch?v=XtEvruCdwjI


recent by mschnell  ·  Mar 29 at 5:33 am
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Hello

I have just purchased "The Saxophones" and I also have the TEC BBC2 breath controller.

I'm looking forward to knowing about the best-recommended settings, tweaks, and tips in order to get the best possible performance and sounding experience when using the TEC BBC2 breath controller and playing the SWAM saxophones virtual instrument.

Asking about that here, because other than
recent by mschnell  ·  Mar 12 at 8:00 pm
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KevinMathie posted Mar 2 at 2:56 am
Hi all!

I just got a LeapMotion controller, and I'm excited to use it. Does anyone know if anyone out there has GECO files available that are already configured to work well with SWAM instruments? Or do we each have to sort of reinvent the wheel?

Thanks!

Kevin

recent by sodden  ·  Mar 12 at 2:11 am
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Are they any extrapolation/upgrades planned in a middle term future or later to give the user the possibility to create ensembles based on SWAM engine ?

I, for one, am mainly working on a step-by-step mode but never mind, I imagine for instance a dedicated host, working as a plugin by itself, that let the user choose the number of instances of an instrument, with a pool of parameters that cha
recent by admin  ·  Mar 11 at 9:11 am
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Anybody knows how to obtain or control Growl with CC2 (Breath Controller)
I play SWAM instruments with the EWI 4000S
I know I can go to Options/Midi and select CC2 for Growl instead of the default.
Then I can set values for Min and Max.
However I cannot get the desired effect.
I would like Growl to come on only when playing strongly, meaning applying a lot of breath pressure to
recent by mschnell  ·  Feb 15 at 5:42 am
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Ander posted Feb 6 at 3:20 am
I just bought the licence because 10 elements wasn't enough for me to try all the features I need to create my song sets.

I'm trying Kontakt 5 with a very low weight sample set (some customized synth leads from an Emu Proteus Library) but when I change scenes all the samples are reloaded (when I use other sample based VSTi like EzKeys the samples are not reloaded and there is no sound interru
recent by admin  ·  Feb 9 at 5:25 am
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mschnell posted Jan 31 at 9:02 pm
Recently we have been discussing that IMHO it would be very advantageous if Camelot would feature a scripting engine and I suggested to take a look at the "JSFX" scripting engine provided by Cocos in their "Reaper" DAW.

But implementing a versatile scripting engine in Camelot itself maybe is not even necessary.

I found that the unbelievably nice people at Cockos provide the scripting e
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aska3 posted Dec 4 '18 at 7:33 am
Hello! I am trying to improve the musical expression of SWAM Violin.
https://www.youtube.com/watch?v=u1p_-rD-zYE

English translation title: Dawn

Mixing musical expression and realistic sound is very difficult.
Feedback is welcome!

The setting is the same as last time.*
https://twitter.com/t_aska/status/1051009509521383424

*my Demo 8
https://community.audiomodelin
recent by aska3  ·  Jan 19 at 9:28 am
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Hello. I composed the 8th demo of SWAM Violin.Please listen!
https://www.youtube.com/watch?v=xA7q5vp3S8Q

I used 2 violin tracks, and divided them according to range.
Brown notes:Cremona S1 track
Blue notes:Venezia S1 track

I am trying to make a realistic sound, and it will be a difficult challenge. But I think that I don't yet understand SWAM's potential.
Feedback is welcom
recent by aska3  ·  Jan 19 at 9:24 am
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admin posted Jan 16 at 1:55 pm
Audio Modeling will be present at the Winter NAMM Show in Anaheim from January 24th to 27th.

At booth #10616, Hall A (see it on the map) you can find both the SWAM expressive virtual instruments and Camelot, the new multi-platform software for live performance management.

Among the artists who will play with SWAM and Camelot are: Dan Radlauer, Fulya Celikel, Gerald Peter, and Jordan Rudes
5c3f3899cfee2
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jcn7 posted Sep 18 '18 at 1:07 am
Hello all, so here is an experiment/composition of mine using the various SWAM solo strings and a few SWAM woodwinds in an "Old School" sounding production.

I wanted to see how close I could come to making these beautiful instruments sound as if they were from the 1940-50 Noir film era. So I ran them through various amp simulators and came up with this overall sound that I think captures t
recent by tomaeusd  ·  Jan 3 at 6:03 pm
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Hi Team and other members of the community.

This is my first post, in this and any music related community. I, first of all, wanted to say that I have just bought both the Solo Woodwinds and Solo Strings bundles, and I am absolutely in love with these instruments! I got my introduction to SWAM instruments via the Roli Noise app for iOS, and as soon as I realized that these were available for
recent by tomaeusd  ·  Jan 1 at 10:18 pm
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Hello all,

Can anyone help me get started with editing the articulations / expressions of midi events within the piano roll of Logic Pro X? How does one fine-tune glissandos, portamentos, vibratos, etc., of individual midi events and pairs of events??

I can secondary-click a midi event to access the articulation selection, but there are 255 nameless articulations in there, and I can't tel
recent by admin  ·  Dec 25 '18 at 9:42 pm
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YarKirGen posted Dec 8 '18 at 12:47 pm
Hello! I'm using SWAM strings with Seaboard Rise 49 in Cubase Pro 10.
I want to play with several instances of SWAM strings simulatenously (to play polyphonic chords, each note on separate instance of SWAM - ensemble playing)
Ok, let's say, I created 4 instrumental tracks with SWAM instrument on each, end set midi options of each track to receive data from single channels (from 1 to 4). I
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