ciey
posted Jan 21 at 1:58 pm
Hi, is it possible to add to Camelot Pro similar functionality to flags in Ableton Live. I would like to be able to assign, for example, the number keys to each scene. This will allow you to use the numeric keypad or, for example, Elgato Stream Deck as an remote interface to CamelotPro.
JeanMP
posted Jan 17 at 8:39 pm
I received notice by mail that Audio Modeling and Nextmidi are partnering. I have not tried big band ensembles with Audio Modeling (waiting for brass) but have read that a major problem with physical modeling of ensembles was phase effects.
I have not seen any mention of this on nextmidi's site so I have 2 questions:
1) Does Divisimate address this problem ?
2) Will Nexmidi / Divisimate
Here's another SWAM string quartet piece from the Danish String Quartet's collection of folk tune arrangements. "Old Reinlender" highlights fast aggressive bowing, big dynamic changes, and wide glissandos.
The basic tracks are played in with an EWI, but there is extensive post-production editing in order to tweak the many parameters of the SWAM string model.
https://www.dropbox.com/sh/yl
Wilhelm
posted Dec 30 '19 at 4:00 pm
Hi Cameltiers and good wishes for the next year.
It would be cool to have a next-song or next scene (or both) field
with the attachment window. It would be helpful to anticipate the next event on the setlist.
Greets
Wilhelm
Here is my latest track “Bending Light” featuring SWAM Alto Sax played with LinnStrument.
Thanks.
http://jeremycubert.bandcamp.com/track/bending-light
Has anyone else had issues with reliability of playing harmonics in SWAM-S?
The way the harmonic "speaks" at low dynamics levels is unpredictable. Sometimes the note sounds immediately, but sometimes it takes a up to a second or two before the note "speaks". Both results occur with exactly the same MIDI. Non-harmonic notes don't have this problem; they always speak reliably.
By "low" dy
Carl J
posted May 28 '19 at 6:23 pm
Has anyone tried Gig Performer? I wonder how it would compare with Camelot Pro.
https://gigperformer.com/gig-performer-vs-mainstage-vs-cantabile.html
Hi, today I want to share with you my wishlist for v3.
Import custom samples (Saxophone samples of course), I always thought it would be great to have that option, because now the program can only use your “Small footprint” as a source material
A keyboard only mode (something similar to Yamaha’s Super articulation sounds)
Ensemble mode (to quickly create Sax ensem
Wilhelm
posted Nov 28 '19 at 10:35 pm
Hi Cameloters,
it would be nice, if one could assign fix program numbers to songs. I use Bandhelper as Remote for camelot, cause it adds many helpful features for band purposes.
Via Midi I select a song in the Camelot setlist. The song
calls my layers of Keyboards I need.
Only problem occurs If I remove a song or change the order of the Camelot Setlist. It would be much more comfort
zizoux
posted Dec 7 '19 at 9:36 pm
Hi everybody, I'm a beginner and i would to buy SWAM but i want to know it can work on my two Mac ? and also does it work without DAW ? thanks guys
Armin
posted Dec 1 '19 at 4:30 pm
HI, this clarinet has sweet and warm sound, unfortunately never Built up by any company. I attached two songs for example. I know making this sound is difficult but also i know you can do it. I hope someday see this instrument on your site.
Thanks❤
sol clarinet.mp3
G Sol clarinet albert system.mp3
Hi guys. I recently tried the SWAM sax at a friend's house and I brought my BBC2 to try it. It was a great experience, but if I wasn't blowing on the breath controller and pressed a key, sound would come out of it. I have the trumpet from Sample Modeling and it doesn't have the same issue. Sound only comes out when you blow, even if you're pressing the keys.
I really want this sax to be able
Maddcow
posted Nov 24 '19 at 12:18 am
Hi guys. I'll soon be buying a MacBook Pro 16" machine and unfortunately, these come with 10.15 Catalina and can't be downgraded to an earlier OS.
Are Audio Modeling products 100% compatible with Catalina?
Cheers
Gary
EVI
posted Oct 5 '19 at 6:37 pm
Do you have an estimated date for the brass release and will they be released individually or all together?
admin
posted Sep 10 '18 at 3:11 pm
Audio Modeling team is proud to announce the launch of the Community Area.
This is a place for sharing our music experiences, talk about audio Modeling products, improve our knowledge for building together day by day better musical instruments.
We want to listen to our customers, see and hear what people can do with our instruments and have a trip with passionate people to leave our cont
aska3
posted Oct 6 '19 at 4:26 am
This is my original cimematic piece.
SWAM Violin model:Cremona S1/Venezia S2
Bow Gesture:Expression
background strings:Cinematic Studio Strings
piano:Upright Felt Piano
https://www.youtube.com/watch?v=_Ogr5R8O6gM
I can't make real sound of low string (G and D). What should I do about it?
Feedback is welcome!
Mizuki
98bpm
posted Sep 29 '19 at 6:40 am
If any of the development team reads this, I'd like to request a few features to consider for future updates to the SWAM Saxophones.
Add Modal Resonance to the MIDI CC Mapping Options page.
While I can assign an automation lane for this in Cubase, it would be convenient to add it to the SWAM Engine.
Some saxophone recordings have a close-mic'd kind of sound where the breath noise soun
Maddcow
posted Sep 21 '19 at 2:57 pm
Hi guys. I've owned the SWAM w/winds for years but only recently have I been using the flutes quite intensively. I'm finding that there seems to be a higher breath threshold for starting/ending notes on the SWAM flutes compared to the SWAM strings. This might also be the case for the other SWAM w/winds but I haven't spent as much time with them recently.
For example: I can easily start o
Carl J
posted Oct 7 '19 at 7:51 pm
Any views on https://www.samplemodeling.com/en/tutorials_strings.php?
Just listening to the demos and wonder if anyone has made a comparison yet?
I'm tempted to get this to make even bigger orchestras as they share with SWAM what I feel is the biggest benefit over "normal" libraries like LASS; Realtime input and the Modelling approach instead of static and massively disk intensive librari
aska3
posted Jul 28 '19 at 12:25 pm
This is my original piece.
I used different violin models experimentally according to the range and each string of the violin.
I think that the realism of each violin model differs depending on the range.
https://www.youtube.com/watch?v=9pFkbbIQHF0
BowGesture:Expression
piano:Garritan Abbey Road CFX Lite
Feedback is welcome!
aska3
posted Aug 14 '19 at 2:51 am
It is a joke
https://www.youtube.com/watch?v=rYeRYDvIU0o
violin model:Firenze S2
Bow Gesture:Bipolar
Please enjoy it.
aska3
posted Aug 10 '19 at 6:59 am
Prelude from FINAL FANTASY
https://www.youtube.com/watch?v=U5UR9WnUOEA
violin model:Firenze S2
Bow Gesture:Bipolar
It is the practice of Bipolar mode.
Bipolar mode is also useful for CC handwriting users (like me). It is not necessary to write CC64 like Expression mode because down-bow and up-bow can be clearly distinguished, and it is easier to edit than Bowing mode. It is a
I continue to explore using the SWAM saxophones as instruments for real-time improvisational playing. There are no edits to the MIDI data in the example here. Playing "Misty", a ballad, is a good workout for the TEControl breath controller.
https://www.youtube.com/watch?v=yXOoYS9sYnE
Elrond
posted Jul 17 '19 at 2:39 pm
Attack
If I have expression on low level from 0 - 10 theere is some attack, even on Dynamic envelope on GUI screen show there is some attack, but if expression is more higher, then less attack is. That means if expression is above 40, there is no attack. Of course, there is some attack but it not act like on lower level expression.
To be more clear what I am talking about, for example SWAM
Camelot looks to become a very powerful and musician-minded performance environment, and I'm really excited to see it grow. But as AM likes to point out, it's still in its infancy as new features are being added. One of the big caveats is the lack support for AU/VST effects.
However, there is a pretty good solution that will run you between $50-$100 depending on your needs. There are a number
aska3
posted Jul 6 '19 at 11:46 am
https://www.youtube.com/watch?v=jZBqxFsG6U8
violin model:Firenze S2
BowGesture:Bipolar
piano:Garritan Abbey Road CFX Lite
My favorite piece.
It is very difficult to play in cantabile.
Feedback is welcome!
Mizuki
PS
PitchBend is ignored in Piano Roll(MIDI) on Cakewalk by BandLab.
The PB's input from MIDI keyboard is normal, ignored only Piano Roll data.What is
Hi, i am new to this entire world, and looking for the simplest, most straightforward way to connect my Aerophone GO to the SWAM sax sounds for practice, not performance!
I am not a pro, but want my Aerophone GO to sound as best as possible. I don't care about recording, adding other instruments, etc.
So if i buy the SWAM saxes, what is the cleanest, easiest way to play them on the Aer
jhy
posted Jun 30 '19 at 7:54 pm
Hello all. Appreciate this excellent software. I have been working on some projects involving historical music using acoustic instruments mixed with my wind controller.
Here’s one for acoustic recorders and SWAM Clarinets:
https://youtu.be/8rQcNvPWGm8
Here’s some Bach arranged for recorders with baroque tuning accompanied by a WX 5 and audio modeling strings:
https:/
techori
posted Jun 18 '19 at 5:03 am
Hi, everyone!
This is a work by Gaspar Cassadó, a Catalan cellist and composer of the early 20th century.
I've played it on the SWAM cello.
It's very difficult to play on the real cello, but I think very suitable to play inhumanly and mechanically with SWAM, because it is a dance music for a non-human creature, the Green Devil.
The fastest tempo is about 190 bpm during the ac
I got a first version of the software converting part of the Seaboard to a Ribbon controller working !
You can choose a range of keys and while all other touches on the Seaboard are processed normally (this plugin reduces the channel count of the MPE stream to a single channel, anyway, and calculates appropriate channel control values from the multiple control values than come in via MPE, or
