I use to use pro tools, but found it was heavier than I needed. I've been using Reaper, and am mostly happy with it. I like how easy it is to use, yet still has almost all the functionality I would want in a daw.
And I like how it is relatively light when it comes to CPU usage.
How does Camelot compare to Reaper?
I must admit the ability to create set lists in my daw is appealing.
Hi, I know that this parameter is for changing the instrument timbre, but I really don’t understand exactly for what kind of situation I have to use it. I see that there is a lot of “presets” to choose from. Please help me.
Is there anyway to reduce the rattling noise fx you get in the Swam Violin, most easy to hear in the upper registers?
I'd like to get a more pure note tone with less fx. I'm not a physical violin players so I'm not sure exactly what it represents, but it is too distractingly loud at times when I want the violin as the lead instrument without accompaniment.
I'm working out the intricacies of using the TEControl breath controller, You Rock MIDI guitar and the SWAM saxophones. Like any instrument it takes time to get musical results—still striving towards that end. Note that the performances are un-edited.
A selection of SWAM saxophones used to play jazz standards:
Hi, Is it possible to adress the Midi Channels of multitimbral VST Instruments like Steinberg Halion 6 from different Keyboards? I use a Roland A-88 and a Komplete Kontrol 61 MK2 and would like to select the Midi channels seperately for one instance of Halion.
We think this is the biggest news from the NAMM Show... we are proud to reveal that SWAM is running on hardware!
In this video, Stefano Lucato, CEO at Audio Modeling, tries for the first time the prototype of SWAM running on ELK hardware by Mind Music Labs ( https://www.mindmusiclabs.com/ ) at Winter NAMM Show 2019.
I have just purchased "The Saxophones" and I also have the TEC BBC2 breath controller.
I'm looking forward to knowing about the best-recommended settings, tweaks, and tips in order to get the best possible performance and sounding experience when using the TEC BBC2 breath controller and playing the SWAM saxophones virtual instrument.
I just got a LeapMotion controller, and I'm excited to use it. Does anyone know if anyone out there has GECO files available that are already configured to work well with SWAM instruments? Or do we each have to sort of reinvent the wheel?
Are they any extrapolation/upgrades planned in a middle term future or later to give the user the possibility to create ensembles based on SWAM engine ?
I, for one, am mainly working on a step-by-step mode but never mind, I imagine for instance a dedicated host, working as a plugin by itself, that let the user choose the number of instances of an instrument, with a pool of parameters that cha
Anybody knows how to obtain or control Growl with CC2 (Breath Controller) I play SWAM instruments with the EWI 4000S I know I can go to Options/Midi and select CC2 for Growl instead of the default. Then I can set values for Min and Max. However I cannot get the desired effect. I would like Growl to come on only when playing strongly, meaning applying a lot of breath pressure to
I just bought the licence because 10 elements wasn't enough for me to try all the features I need to create my song sets.
I'm trying Kontakt 5 with a very low weight sample set (some customized synth leads from an Emu Proteus Library) but when I change scenes all the samples are reloaded (when I use other sample based VSTi like EzKeys the samples are not reloaded and there is no sound interru
Recently we have been discussing that IMHO it would be very advantageous if Camelot would feature a scripting engine and I suggested to take a look at the "JSFX" scripting engine provided by Cocos in their "Reaper" DAW.
But implementing a versatile scripting engine in Camelot itself maybe is not even necessary.
I found that the unbelievably nice people at Cockos provide the scripting e
Hello all, so here is an experiment/composition of mine using the various SWAM solo strings and a few SWAM woodwinds in an "Old School" sounding production.
I wanted to see how close I could come to making these beautiful instruments sound as if they were from the 1940-50 Noir film era. So I ran them through various amp simulators and came up with this overall sound that I think captures t